Stars Go Dim’s new album, “Roses,” has a peculiar effect; it settles into a room less like music and more like a change in the atmospheric pressure. There’s a plush, amber-toned sound here, a vibe so authentically steeped in 1970s groove that you can almost feel the corduroy under your fingertips. https://open.spotify.com/album/1KS8wbOx2wWw1ce0VdcMgV?si=VRrFtLJDQi-8gD8p8t1BlQ Chris Cleveland’s vocals, smooth and seasoned like worn-in denim, glide over bass lines that...

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times, collecting scuffs and stories. It’s a beautifully unsteady thing, this record from the duo of Fergus McKay and Gaia Miato. They’ve crafted a dusty, globetrotting shuffle where bluesy resignation and the dramatic posture of tango are held together by the...