With Deptford Sound Collective dropping "Give Me . Give Me . Give Me, I want it all", I found myself suspended somewhere between a Studio 54 dancefloor and a gritty picket line. It’s a jarring, delightful confusion. You expect the somber acoustic strumming of 1960s activism given the collective’s mission but instead, you are slapped awake by a wall of 1980s synth-pop. https://open.spotify.com/album/6ULaYdVEhxN7eK0w9AmHtL?si=qiJmIM0oR2GlZ7uC8idmyw The track hits...

What does it mean for music to be “live” anymore? In an era of backing tracks, digital corrections, and performances polished to a frictionless gleam, the term has lost some of its meaning. It often signifies little more than the physical presence of a performer on a stage. But then, an album like Udeigwe’s "Live in Williamsburg" appears, and it serves as a powerful reminder...