A record can move fast without chasing the obvious route. “EMA”, Sienná’s nine-track experimental electronic album, begins from that possibility. The Kyoto-born, Oslo-based artist builds its premise around ema, the Japanese tool used to communicate directly with the divine. From there, she turns images and impressions gathered in nature into songs. It is a high-concept frame, but it lands because the concept asks a practical question:...

Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights hum with Kraftwerk’s ghost and the shadows dance to a trip-hop beat. This is music conceived in the wee small hours, carrying that particular clarity – or perhaps, exquisite exhaustion – of a world stripped bare by moonlight. His past...