Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Cat Mayel's "FREE" arrived, not on a silver platter, but more like a rogue pigeon delivering a very important message – a crumpled napkin with profound scribbles. This Nigerian producer, composer, arranger, and all-around sonic sorceress has served up a single dose of alternative neo-soul that feels… well, free. As free as a shopping cart with a wonky wheel, anyway. It goes where it...