Press play and Spinors come in like someone has kicked open a factory door during a power cut. "Choose to Believe" has grease on its hands, bright lights in its eyes, and a hook that knows exactly how to get a crowd moving. This is alternative rock with a steampunk coat, but the engine underneath is very current: post-truth panic, social media loops, shiny consumer...

Listening to Paul Louis Villani's new EP, The Other Side of Silence, feels less like pressing play and more like cracking open a locked diary found in a derelict building. It’s a messy, confrontational, and deeply private affair, where industrial-strength riffs grind against lyrics that feel surgically exposed. Villani doesn't write anthems for crowds; he seems to be recording the dissonant hum of his...