Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Bolidde's new album, Rainbow Galaxy, doesn't so much arrive as it does seep into the room, a ten-track document of flight powered by rock and roll muscle. Here is a veteran of the French scene who understands the architecture of a great pop hook, but who uses that knowledge not to build a summer villa, but a high-speed getaway vehicle. The album’s energy is...