Listening to “Small Town Syndrome” by thinking silly is an exercise in delightful contradiction. Dylan Morrison’s project, shaped here by the production hand of collaborator Margot Taylor, builds a sleek, propulsive chassis of dark pop and minimal techno, only to house an engine of pure, grinding ache. It’s the sound of someone forcing a smile so wide their face hurts, a dance track for...

Janet Devlin’s new single, “Houston,” arrives as a gleeful contradiction, a two-stepping Americana anthem for the sovereign state of one. It has all the upbeat, country-rock fixings for a roadside sing-along, yet its heart is miles away, floating in a self-imposed, wonderfully stubborn vacuum. The track opens, and you’re ready for a communal good time; instead, you find yourself at a party where the...