Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights hum with Kraftwerk’s ghost and the shadows dance to a trip-hop beat. This is music conceived in the wee small hours, carrying that particular clarity – or perhaps, exquisite exhaustion – of a world stripped bare by moonlight. His past...

There’s a strange and lovely tension in "My Ears Are Attentive" from Glory Company, a sensation akin to watching a storm gather over a placid lake. Husband-and-wife duo Matthew and Pearl Nagy have built a vessel of spacious synths and contemplative pop, yet beneath the surface, there’s a current pulling you under with an undeniable, almost danceable, rhythm. It's an odd invitation to move...