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Highroad No. 28 Defies Alt-Rock Logic with “Likethelast”

Listening to Highroad No. 28 navigate the emotional geometry of "Likethelast" feels a bit like watching a bruised prizefighter suddenly break into a joyful, intricate tap dance. It is disarming, slightly confusing, and entirely magnetic. Andrew JC, the sole architect behind this sonic landscape, has constructed something that defies the dusty expectations one might hold for an outfit born in the late 90s alternative...
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The Fever Dream Clarity of Amy Jay’s “MNEMONICS”

Listening to Amy Jay’s latest album "MNEMONICS" is a bit like discovering a stack of sticky notes you wrote to yourself during a fever...

AKA Primetime Locks into a Dangerous Groove on “Electric Blue”

With the release of AKA Primetime’s latest single, "Electric Blue", I found myself instinctively checking if the heating in my apartment was actually on,...

A Punchy Christmas Revolt: Jamie Alimorad Shares “Santa Sucks”

There is a specific kind of betrayal reserved for the morning of December 25th, and with Jamie Alimorad releasing "Santa Sucks", that indignity finally...

More Than Greatest Hits: The Evolution of Suris on “Rare Brew”

There is something distinctly architectural about the way Suris constructed "Rare Brew," the latest collection from the husband-and-wife duo Lindsey and David Mackie. While...

Why Pimpin Change’s “Luxury Pimpin” Demands Your Patience

There is a distinctive friction when you listen to Pimpin Change and his upcoming album, “Luxury Pimpin”, something like the satisfying drag of a...

The Soothing Vibrations of Shelita’s “I’m So In Love With You”

There is a distinct, almost anti-gravitational buoyancy to the latest release from Shelita, titled "I’m So In Love With You", that defies the typical...

The Widows: Stripping Back the Glamour on “Bardo Blues”

With The Widows and their jagged new single "Bardo Blues", the speakers don't just output sound; they seem to physically sweat. From the opening...

Oli Ng Offers a Sonic Exhale in “Steadfast”

With Oli Ng and his latest release, "Steadfast," I found myself suddenly transported away from my cluttered desk and into a passenger seat, watching...

Lana Crow Tackles Modern Chaos in “Orwellian Times”

There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people...

Phoebe Huisman Constructs a Museum of Youth on “Inside”

Phoebe Huisman and the release "Inside" arrived in my speakers like the sudden, sharp scent of rain hitting hot asphalt familiar, grounding, and weirdly...

Rellyo Bambini with “Cloned & Upgraded Insert Soul Here (Rebirth Edition)”

To engage with the sprawling, twenty-eight-track behemoth that is Rellyo Bambini’s "Cloned & Upgraded, Insert Soul Here (Rebirth Edition)" is to willingly plug your...

Stephen Dowd Navigates Nostalgia in “Play Me A Christmas Song”

With the release of the single "Play Me A Christmas Song", Stephen Dowd manages to bottle the very specific, blue-hued silence that falls over...