Four songs, seventeen minutes, and a fortieth birthday. Zora Kirin’s "The Bones Are Beautiful" has a clean premise, but it refuses an easy emotional shortcut. The Berlin artist calls her debut solo EP hopecore, and the label fits because these songs make room for hard feelings before they reach for light. It is a focused indie folk listen that moves from early wonder to adult desire,...

KAYTIE’s new single "Evil Person" arrives with the pristine, deliberate clarity of a single ice cube cracking in a silent room. For a piano-driven ballad, there is a surprising amount of sharp edges here. Kaytie Kear, the 20-year-old singer and songwriter behind the name, doesn’t just perform a song of heartbreak; she presents evidence. This is the autopsy of a connection so personal and...