Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

There is a specific kind of cold that burns, like dry ice pressed against a fingertip, and that paradoxical sensation pervaded my entire weekend spent listening to the latest output from CMD.EXE, their debut full-length album "love.language.model". This collaboration between human musicians and machine intelligence hits with the weight of a pressurized cabin decompressing. It sits in that bruised, purple twilight between Electronic Rock...