Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times, collecting scuffs and stories. It’s a beautifully unsteady thing, this record from the duo of Fergus McKay and Gaia Miato. They’ve crafted a dusty, globetrotting shuffle where bluesy resignation and the dramatic posture of tango are held together by the...

Jessie Bird's new single, "Break It," feels less like a song strategically dropped and more like a personal diary accidentally left open on a park bench – specifically, one hailing from the clear-aired honesty of Camrose, Canada. The initial notes of this indie folk-pop track carry a disarming simplicity, almost akin to the unassuming hum of an old refrigerator right before it sputters out...