Some songs are protests. Others are warnings. But a rare few are something else entirely: they are stories that transport you to another place, another time, another possible future. Ted Stanley’s “Shoreline” is one of those songs. It’s a piece of music that feels less like a song and more like a modern myth, a folktale carried softly across a rising tide. It’s a story...

Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...