Listening to Nom De Plume’s new album, Circle the Dream, is like finding an old, intricate map for a place that doesn't exist on any globe. This is a record for the motionless traveler, the soul pacing the perimeter of its own skull. Aris Karabelas and Michael Magee have crafted a landscape not of highways and canyons, but of the vast, contradictory terrain behind...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...