Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

There's a specific kind of pleasant dread in the opening moments of Korda Korder’s new single, "You Still Turn Me Inside Out," like standing at the entrance of a cathedral you know is haunted by something benevolent. The East Sussex outfit calls this a gothic lament, and they aren't wrong, but it’s a lamentation born from awe, not sorrow. Guitars fall like silver rain...