Listening to Weston Day release "Storms" feels a bit like opening a window during a gale just to see if the glass will hold. It’s a rush of air, sudden and brisk. While his style is often bookmarked as "Elvis Costello meets Paul Simon," I hear a man frantically trying to explain a complicated heartbreak before the bar closes. https://open.spotify.com/track/1YxtWM0OIRR0ShlLMhxKmc?si=d5BvDBy8Qdib-_4WhMb-kA Armed with an 8-string baritone acoustic...

Sound Liberation’s “Elegy” isn’t so much an album as it is an unbolting of several sonic cages, letting the inhabitants mingle, argue, and eventually, find a strange, compelling harmony. Gene Pritsker and his rotating ensemble are, as ever, on a crusade against the "segregation of sound vibration," and here, their weapon of choice is grief, remembrance, and an absolutely defiant refusal to sit still...