Casey McQuillen’s single “Better” arrives not with a bang, but with the quiet, decisive click of a well-made lock securing a door. It’s pop music, certainly, groomed and gleaming, yet beneath the surface bubbles a fierce kind of self-possession that’s less about demanding attention and more about curating who gets past the velvet rope of your own contentment. Coming from someone known for empowerment...

Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...