Patrick Hynes’ new single, "Baby’s High Again," doesn't so much arrive as materialize, like a half-remembered scent of bourbon and regret clinging to a velvet curtain. This “Midnight Country” he’s cultivating, it’s less dusty plains, more the blue, flickering light of a motel television at 3 AM, illuminating a room where decisions have been made, then unmade, then made again. Hynes, a Scot with...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...