Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

Seven Shades of Nothing’s new single, “When The Lights Go Down,” offers an incredibly peculiar form of comfort—it’s a soundtrack for deciding, over your third cup of lukewarm coffee, that perhaps global, society-dissolving collapse might actually be a blessed relief. James Cole, the project’s architect, doesn't sound panicked about the approaching end; he sounds incredibly, beautifully bored by everything that led up to it. https://open.spotify.com/album/0Z5K652TNvuB9fpt9Amdut?si=_mevo7tcSGunNpswpfCSsQ This...