Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Listening to Zov.yay’s new single, “No Watches,” is like catching yourself forgetting what day of the week it is, and then deciding you quite like it. There’s a distinct feeling of unshouldering here, a shedding of temporal anxiety. Zov.yay’s flow is less a performance and more a conversation you’ve walked into, a comfortable, self-assured account of having arrived somewhere important without having watched the...