The opening seconds of Brett Copeland’s single, "I Wanna Live", don’t ask for your attention; they stage a hostile takeover. This is a song that feels less written and more clawed out of a desperate moment, built with the kind of volcanic energy that powers revival tents and bar-room brawls. Copeland’s voice is the main event—a raw, muscular instrument that sounds like it's been...

There is a peculiar kind of engine at the heart of "Half Evil" by Tomato Soup, and it runs not on gasoline but on disorientation. The Denver six-piece calls their sound "Motor-Folk," and it fits. The track has the chugging, forward-moving momentum of a vehicle, yet it seems to be driving through a landscape seen in a fever dream, where the signposts are all...