Listening to John Keenan’s “Wreckage of the Past” feels like being handed the audio diary of a ghost who is not yet dead. This is an 18-song excavation of a psyche at war, made all the more intense by the knowledge that Keenan is the sole architect—producer, writer, mixer, and tormented protagonist. The whole project has the hermetically sealed, slightly feverish quality of a...

Listening to Lucas Pasley’s new single, “Laissez-Faire Love,” is less like pressing play and more like easing into a worn-in armchair that has held the shape of a thousand thoughtful conversations. The title itself sounds like an economic policy for the heart, and frankly, it’s a brilliant one: a declaration of free-market emotional enterprise where partners are sovereign states, not colonies. https://open.spotify.com/track/1F6nq024Iy350xPVRxffIA?si=bYffZUblSyyCWPvf8dSBzA Pasley doesn’t sing about...