Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Listening to Brandon White’s new single, “BiG FiSH”, is to understand a very specific, architectural kind of pressure. It’s the feeling of having shoulders too broad for the doorway, a voice too resonant for the room. White articulates not just the frustration of being a large talent in a small scene, but the creeping paranoia that comes when the pond life starts to nibble,...