Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Simeon Kirkegaard's album "*" arrived, and it’s been rattling around my head like loose change in an empty pocket ever since. This Nordic musician dives headfirst into the murky, churning waters of lost love and the obsessive echo it leaves behind across ten distinct yet interwoven tracks. It maps out a landscape not just of longing, but of the peculiar haunting that follows a...