Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

Listening to Zov.yay’s new single, “No Watches,” is like catching yourself forgetting what day of the week it is, and then deciding you quite like it. There’s a distinct feeling of unshouldering here, a shedding of temporal anxiety. Zov.yay’s flow is less a performance and more a conversation you’ve walked into, a comfortable, self-assured account of having arrived somewhere important without having watched the...