Listening to Weston Day release "Storms" feels a bit like opening a window during a gale just to see if the glass will hold. It’s a rush of air, sudden and brisk. While his style is often bookmarked as "Elvis Costello meets Paul Simon," I hear a man frantically trying to explain a complicated heartbreak before the bar closes. https://open.spotify.com/track/1YxtWM0OIRR0ShlLMhxKmc?si=d5BvDBy8Qdib-_4WhMb-kA Armed with an 8-string baritone acoustic...

There is a precise sort of chaos within the architecture of Cries of Redemption and the new release "Abstract" that feels entirely purposeful, like a storm trapped inside a glass bottle. Ed Silva, the Savannah-based mastermind behind this project, isn’t merely writing songs; he seems to be conducting experiments on how much tension a melody can hold before it snaps. https://open.spotify.com/album/4jjLaAirbw3BMrPXXFvgSq?si=m44bJJwWROeEHVSVJqoZoQ Listening to tracks like "The...