Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

To listen to Vicious Clay’s `"bleecker street revisited"` is to stumble upon a cartographer’s personal diary, one filled with maps of places that no longer exist and sketches of emotional territories still being charted. This is the latest work from Vinny Silva’s musical project, and it feels less like a collection of songs and more like a core sample, drilled deep into the bedrock...