Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

Most music that arrives with the label “meditative” feels like an instruction to relax—a gentle but firm command. Karen Salicath Jamali’s “Angel Gabriel’s Light,” however, doesn’t instruct; it simply arrives. Listening to this single for the first time is like walking into a room to find the light has changed color, subtly and without explanation. You don’t question how it happened. You just stand...