Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights hum with Kraftwerk’s ghost and the shadows dance to a trip-hop beat. This is music conceived in the wee small hours, carrying that particular clarity – or perhaps, exquisite exhaustion – of a world stripped bare by moonlight. His past...

Listening to the new release from Glass Cabin, the album "Emmylou", feels like finding a box of letters you were never meant to read, tucked away in the back of a closet in a rental house. There is an immediate sense of intrusion, but you stay because the story is too compelling to leave. Jess Brown and David Flint have crafted something here that...