Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

HollyBear does not sound heartbroken on "OBVIOUS". She sounds like she already checked the receipts, closed the app, fixed her hair, and decided the lesson was expensive but useful. That is the fun of the single. It has the warmth of R&B, the cool posture of jazz influence, and the tiny side-eye of someone who knows exactly what happened. "OBVIOUS" moves with a smile that...