Shane Revers opens the heavy door to "Inside Room 17", and you immediately realize you are stepping into an incredibly private emotional space. This debut EP builds its architecture entirely out of heavy memories and the agonizing passage of time. He notes influences like the Jonas Brothers, John Mayer, and James Bay, yet he manages to spin these stripped-down acoustic pop inspirations into a...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...