The Alessandro Savino Project serves up a new single, “SORRY,” and it arrives feeling less like a song and more like a strange, beautiful confession made under the low-wattage glow of a bar sign after everyone else has gone home. The word itself is so insufficient, isn't it? A pebble of a word meant to fill a canyon. But this track isn't the pebble;...

Natasha, out of K.C., presents her new single, “Life’s Little Tragedies,” and it’s rather like an old, slightly melancholic tune you half-remember, then it snags you. The folk-jazz-pop tapestry, woven with soulful cello and unvarnished acoustic guitar, creates an atmosphere that’s chill, certainly, but with an undercurrent that pulls you in to listen closer. https://open.spotify.com/album/1IZqhutFIL4aVNVMTH4h7m?si=rCWdvIjKSsqWV7ok9_aBzA The song unpacks how present pain—a romantic betrayal, the rotter—can yank...