Listening to John Keenan’s “Wreckage of the Past” feels like being handed the audio diary of a ghost who is not yet dead. This is an 18-song excavation of a psyche at war, made all the more intense by the knowledge that Keenan is the sole architect—producer, writer, mixer, and tormented protagonist. The whole project has the hermetically sealed, slightly feverish quality of a...

My Glass World and their new album, “Stranded Assets,” have barged into my ear-space, rather like that one uncle at a wedding who insists on telling you about his model train collection, but then, confoundingly, reveals a profound truth about the human condition just as you’re reaching for another vol-au-vent. This isn't background music; it’s foreground chaos, beautifully arranged. https://open.spotify.com/album/3gpEQRokHZeUiqcVowd6ie?si=SsoiuiuwSvmQSWcX2K06_Q The British duo, Jamie Telford and...