Listening to Paul Louis Villani's new EP, The Other Side of Silence, feels less like pressing play and more like cracking open a locked diary found in a derelict building. It’s a messy, confrontational, and deeply private affair, where industrial-strength riffs grind against lyrics that feel surgically exposed. Villani doesn't write anthems for crowds; he seems to be recording the dissonant hum of his...

There is a certain kind of song that seems to exist outside of time. It is a song that could have been a hit in any decade, a song that speaks to a fundamental human experience. Ferdinand Rennie’s “Unbelieving Eyes” is one of those songs. A sweeping pop ballad with a heart of gold, it is a song that is both instantly familiar and refreshingly...