To listen to Stevie Hawkins’ take on "A Song For You" is to have a conversation with a ghost in a dimly lit room after the show has ended. Hawkins, long the rhythmic engine for the song's originator Leon Russell, steps from behind the drum kit to the microphone, and the space between these two roles compresses decades into four and a half minutes....

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...