Listening to John Keenan’s “Wreckage of the Past” feels like being handed the audio diary of a ghost who is not yet dead. This is an 18-song excavation of a psyche at war, made all the more intense by the knowledge that Keenan is the sole architect—producer, writer, mixer, and tormented protagonist. The whole project has the hermetically sealed, slightly feverish quality of a...

SERAh's new single, "Favorite Game", which features female vocalist Summer Rona, is the kind of track that feels less like it was composed and more like it was captured—a distress signal from a beautiful, dying star. The sound here is a curious contradiction. It’s vast and cinematic, shimmering with the sort of synthesized light that promises galaxies, but its heart is small, cramped, and...