Listening to “Small Town Syndrome” by thinking silly is an exercise in delightful contradiction. Dylan Morrison’s project, shaped here by the production hand of collaborator Margot Taylor, builds a sleek, propulsive chassis of dark pop and minimal techno, only to house an engine of pure, grinding ache. It’s the sound of someone forcing a smile so wide their face hurts, a dance track for...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...