Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Gus Defelice. The name itself feels like a well-oiled machine – intricate, precise, and humming with a purpose I'm not entirely sure I grasp. “Starlight,” a lone single in a world of albums and playlists, pulses like a freshly discovered constellation. You know, the kind where they announce the official findings and then all the maps start printing with the new location…except this constellation...