Janet Devlin’s new single, “Houston,” arrives as a gleeful contradiction, a two-stepping Americana anthem for the sovereign state of one. It has all the upbeat, country-rock fixings for a roadside sing-along, yet its heart is miles away, floating in a self-imposed, wonderfully stubborn vacuum. The track opens, and you’re ready for a communal good time; instead, you find yourself at a party where the...

Listening to Sons of Martha's new single, "Samurai Smile," feels a bit like finding a beautiful, slightly unnerving porcelain doll tucked away in a toolbox – all sharp edges and unexpected fragility. This North London outfit promised a harder sound, and they deliver; guitars chew and churn with a satisfying grit reminiscent of early '90s Manchester swagger, but filtered through a distinctly modern unease....