Martin Yates’s new single, “Now or Never”, doesn’t ask for your time; it issues a three-minute summons. This is the sound of someone pushing their chair back from the table, the scrape of the legs on the floor echoing a decision that’s been brewing for years. Channeling the wounded pride of 1960s soul legends, Yates builds a monument to the moment the heart finally...

Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...