Listening to Nom De Plume’s new album, Circle the Dream, is like finding an old, intricate map for a place that doesn't exist on any globe. This is a record for the motionless traveler, the soul pacing the perimeter of its own skull. Aris Karabelas and Michael Magee have crafted a landscape not of highways and canyons, but of the vast, contradictory terrain behind...

There is a specific weight to Chellcy Reitsma’s "Carpe Diem," one that feels less like a motivational poster and more like a heavy coin you’ve carried in your pocket for years, its edges worn smooth by worry. It announces its intention with a title we think we know, a bright promise of seizing the day, but the music itself doesn't offer easy platitudes. Instead,...