Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

Eddie Cohn’s new single, "Get Back My Way," starts with the kind of intimate acoustic strumming that feels like overhearing a conversation someone is having with their own reflection. It’s an immediate plunge into that uniquely modern disquiet—the sense of being adrift in a sea of your own making, armed with a compass whose needle just spins and spins. The narrator’s battle for "sanity"...