Kwolek's album, “T > H > I > S”, presents itself not just as music, but as a meticulously self-contained universe, shaped entirely by one pair of hands – from the songwriting straight through to the final cover design. It’s a lonely planet populated by distinct misfits, each broadcasting their internal monologues from a different, slightly staticky frequency. There’s an undeniable intimacy born from...

There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people walk when they’re late for a meeting they know is going to be an absolute disaster. It is brisk, purposeful, and rhythmically catchy, yet underpinned by a distinct, vibrating anxiety. This British singer-songwriter has crafted a track that feels less...