WAIN’s debut EP, "Still Colorful", arrives not as a singular declaration but as a meticulously curated gallery of the self, with one man acting as architect, painter, and lighting technician all at once. It’s an unusual feeling, listening to it. You get the sense that you’re touring a house designed and built by a single, obsessive artisan, but where every room is inhabited by...

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times, collecting scuffs and stories. It’s a beautifully unsteady thing, this record from the duo of Fergus McKay and Gaia Miato. They’ve crafted a dusty, globetrotting shuffle where bluesy resignation and the dramatic posture of tango are held together by the...