Listening to John Keenan’s “Wreckage of the Past” feels like being handed the audio diary of a ghost who is not yet dead. This is an 18-song excavation of a psyche at war, made all the more intense by the knowledge that Keenan is the sole architect—producer, writer, mixer, and tormented protagonist. The whole project has the hermetically sealed, slightly feverish quality of a...

Bernard Opoku Agyemang (Ratty Ghana) is considered one of the major proponents of rap music in Ghana. The IDENTITY is a multipurpose music act committed to many subjects both local and international (social commentator) and also cuts across demographies with a unique sense of humour that attracts the likeness and enjoyment of people. Subjects such as gospel, sports, road safety, global sanity etc. He is classified...