Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Simeon Kirkegaard's album "*" arrived, and it’s been rattling around my head like loose change in an empty pocket ever since. This Nordic musician dives headfirst into the murky, churning waters of lost love and the obsessive echo it leaves behind across ten distinct yet interwoven tracks. It maps out a landscape not just of longing, but of the peculiar haunting that follows a...