Listening to Creative Vibrations’ new album, “Sunday Bummer”, feels a lot like the ailment it’s named for. It’s not an abrupt sadness, but a slow, creeping realization that the weekend’s flimsy sanctuary is dissolving. It’s the color of the sky turning from blue to a kind of industrial grey, the feeling of putting on work shoes that have spent two days forgetting the shape...

Ferdinand Rennie’s “Someone to Remember Me” (Remake 2025 Version) arrives with the quiet confidence of a man who has looked at the map of his life more than a few times. This isn’t the sound of ambition clawing its way up a wall; it’s the sound of someone standing on the summit, looking back at the long path and wondering about the shape of...