Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights hum with Kraftwerk’s ghost and the shadows dance to a trip-hop beat. This is music conceived in the wee small hours, carrying that particular clarity – or perhaps, exquisite exhaustion – of a world stripped bare by moonlight. His past...

Amy-Lin Slezak’s “Known 3 Yrs. Seen 24 Hrs” opens with the bright, optimistic twang of country pop, a sound so sun-drenched you can almost feel the heat coming off the asphalt. The fiddle weaves itself through clean acoustic strums and soaring electric guitars, a musical language we all know. But the story it tells is something wonderfully specific, a peculiar ache you didn't know...