Listening to Weston Day release "Storms" feels a bit like opening a window during a gale just to see if the glass will hold. It’s a rush of air, sudden and brisk. While his style is often bookmarked as "Elvis Costello meets Paul Simon," I hear a man frantically trying to explain a complicated heartbreak before the bar closes. https://open.spotify.com/track/1YxtWM0OIRR0ShlLMhxKmc?si=d5BvDBy8Qdib-_4WhMb-kA Armed with an 8-string baritone acoustic...

What does it mean for music to be “live” anymore? In an era of backing tracks, digital corrections, and performances polished to a frictionless gleam, the term has lost some of its meaning. It often signifies little more than the physical presence of a performer on a stage. But then, an album like Udeigwe’s "Live in Williamsburg" appears, and it serves as a powerful reminder...