Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Julia Faulks’ new EP, “Colours”, doesn’t so much present a palette as it does the messy, satisfying work of mixing the paints yourself. It's a six-song study in emotional reciprocity, a sonic accounting of what it costs to love and what it means to be loved in return. https://open.spotify.com/album/6o7E8t0HKQCUiu9uINpATo?si=612B0YA9TJCuKfH-ndCupg Faulks operates in that murky, humid space she calls the “in-between,” where affection curdles into obligation and...